Cast: Rana Daggubati, Pulkit Samrat, Vishwajeet Pradhan, Zoya Hussain and Shriya Pilgaonkar
Chief: Prabhu Solomon
Rating: 2 stars (out of 5)
There is no rejecting that the point that Haathi Mere Saathi makes is totally legitimate. Its fundamental supplication has incredible importance and criticalness since we live in the midst of expanding deforestation rushed by nearsighted government strategies and runaway business voracity. It is another matter that the technique that essayist chief Prabhu Solomon utilizes to convey the message is unnecessarily sharp and totally without subtlety.
Recorded fundamentally in Kerala and evidently set in Chhattisgarh, Haathi Mere Saathi, is spilling on Eros Now. This is the Hindi form that was shot at the same time with the Tamil and Telugu ones – Kaadan and Aranya individually – however a half year longer than the other two to land in our middle.
The film is featured by Rana Daggubati as a wilderness man who without any assistance takes on a battery of individuals who attack the environment of his creature companions, a hold backwoods in a no-improvement zone. It trumpets and cries its direction to an anticipated peak.
What the result of the showdown will be is flagged pretty early. How the sermonizing, exorbitantly long Haathi Mere Saathi arrives is the main focal point that remaining parts. En route, anticipate a few rushes, many spills and a hard and fast conflict of wills over a woodland that is at risk for being cleared out.
Regardless of how muddled all the other things in Haathi Mere Saathi may appear, the lead entertainer’s fans will discover no explanation in its thick account bushes to feel bamboozled. The content ties up its resources in one place and that container rides altogether on Rana Daggubati.
The person he has is propelled in impact by the genuine Jadav Payeng, known as the timberland man of India since he took upon himself the mission to establish huge number of trees in Majuli and make a whole save woods. Haathi Mere Saathi has something almost identical. Our saint Sumitranandan – the name is referenced just is passing – has acquired the sobriquet Bandev (Lord of the Jungle) since his own tree consider is high as 100,000.
That is the place where a sharp fork in the timberland takes the story a very surprising way to where the shows of a decent versus-underhanded story dominate and heave us into a hall of exciting bends in the road that depend on unbridled acting for sway.
The film opens with an untainted scene that has the hero sitting by a sputtering stream as a brilliant CGI bird zoom around hastily. The man, having been supported ordinarily, treats the trees, the creepers and the creatures with the highest level of regard and care. At the point when the earth-movers and automated saws show up to make a clearing in the core of the wilderness for the development of extravagance condos, he is alongside himself with rage. As are the elephants.
The ‘intruders’ are driven by a smarmy government official (Anant Mahadevan) who additionally turns out to be the climate serve. He sells his metropolitan customers the carrot of a 50-hectare municipality, complete with private pinnacles, amphitheaters, gyms, shopping centers and pools. To satisfy his amazing plan, he sends in his men – a worker for hire, a legal counselor and a battery of development laborers – and orders them to get the ball rolling.